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I Maestri
Gerrit Thomas Rietveld于1888年6月24日出生于乌特勒支,他似乎具备双重人格,以至于他的作品似乎不源自同一位艺术家。他首先是具有原始风格的手工木匠,凭借完全个人的结构密码,打造出前无古人的座椅和家具;其次他是一位风格优雅的建筑师,在欧洲建筑背景下倡导理性主义、新造型主义论点。两项事业相互交错、重叠并完美结合,构成了一种逻辑顺序。
沙发保持了与Gerrit Thomas Rietveld于1935年设计的扶手椅相同的美学特征和舒适度,座椅更深且填充饱满。
1988
Gerrit Rietveld came up with the design for the Utrecht armchair in 1935 while working for the Metz & Co. department store in Amsterdam, where his brief was to make a chair for serial production. Taking market needs into account, while privileging a comfortable and relaxing experience, led to the elements of the chair being treated as separate units. As a consequence, the chair became an icon of both the Neoplastic movement (aka De Stijl), and of Rietveld’s experimental vision. In 2015, the original version of the chair, without the feet, was made available alongside the one with, as part of the Mutazioni collection, and was relaunched with its dimensions adjusted to take account of changes in people’s height over the previous 80 years. The chair is also available in the Gerrit fabric, with blanket stich or zig-zag top-stitching, in both cases in five colours.
I Maestri
Gerrit Thomas Rietveld于1888年6月24日出生于乌特勒支,他似乎具备双重人格,以至于他的作品似乎不源自同一位艺术家。他首先是具有原始风格的手工木匠,凭借完全个人的结构密码,打造出前无古人的座椅和家具;其次他是一位风格优雅的建筑师,在欧洲建筑背景下倡导理性主义、新造型主义论点。两项事业相互交错、重叠并完美结合,构成了一种逻辑顺序。
Utrecht设计扶手椅是新生派运动的标志性设计,其靠背和座椅在地面上相交成直角,扶手成为支撑,是该扶手椅的特征。
它有三人座弧形沙发、双人座沙发和扶手椅,不同尺寸可供选择。均采用钢制承重结构,饰面带有锯齿形或马脚形缝边。