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I Maestri
是建筑、家具、工业设计、博物馆装备生产领域内理性主义思想发展的主要角色之一。1929年毕业于米兰理工大学建筑专业,随后与Ponti e Lancia工作室合作。作为其思想发展的关键,他还合作编撰了《Casabella》杂志,这使得他最终皈依理性主义,并且成为了该思想在意大利文化届的代言人。
这款设计师桌子具有创新拆卸概念,Franco Albini 的支点元素是他的美学和解决方案中反复出现的主题,在标志性的 Veliero 和 Infinito 书柜中最为突出。
2013
Franco Albini designed this table using the strut element that he had already employed in the design of the Veliero and Infinito bookshelves. In this instance, the legs serve as the vertical elements, solid, turned along their entire surface except for the square section onto which the horizontal table- top is installed. The upturned wooden cones that surmount each leg act as spacers between the cross-beams of the frame and the table-top which, given how light it looks, almost seems to hang suspended in mid-air. The connection between the legs and the cross-pieces is highlighted by visible screws. These remind us that the TL3 table can be disassembled. Cassina’s revisitation of this table, effected in collaboration with the Fondazione Albini, is based on archive drawings and includes the use of a glass table-top so that the impeccable carpentry details can be seen more clearly.
I Maestri
是建筑、家具、工业设计、博物馆装备生产领域内理性主义思想发展的主要角色之一。1929年毕业于米兰理工大学建筑专业,随后与Ponti e Lancia工作室合作。作为其思想发展的关键,他还合作编撰了《Casabella》杂志,这使得他最终皈依理性主义,并且成为了该思想在意大利文化届的代言人。
独一无二桌腿经过完全车削,每个支腿上安装的木制锥体创造出一种动态的分离,突出了整体的视觉轻盈,让几乎悬浮于半空的矩形桌面更为醒目。
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