Rietveld 于 1918 年设计的 Red & Blue 是一款设计师扶手椅，如一件具有理性几何造型的雕塑。这是一件名副其实的设计杰作，是荷兰风格派运动提倡的新塑形主义的主要范例之一。
1973
A sculptural seat with a pure and rationalist form, this chair became an authentic Manifesto for Neoplasticism, embraced by the Dutch De Stijl movement in 1917. An outlook shared by Piet Mondrian, whose objective was to seek out the essential nature of things, combined with the harmonious equivalence of colours, and the use of right-angle. Rietveld produced his first prototypes in 1918, expressing the philosophy of organising space using the same colours for similar components. He later applied this same approach to separate out constructional elements according to their function. Thus the base was black, and the seats coloured. As a consequence, the name of the piece changed, from Slat Chair to Red and Blue.
I Maestri
Gerrit Thomas Rietveld于1888年6月24日出生于乌特勒支，他似乎具备双重人格，以至于他的作品似乎不源自同一位艺术家。他首先是具有原始风格的手工木匠，凭借完全个人的结构密码，打造出前无古人的座椅和家具；其次他是一位风格优雅的建筑师，在欧洲建筑背景下倡导理性主义、新造型主义论点。两项事业相互交错、重叠并完美结合，构成了一种逻辑顺序。
Red and Blue 体现了当时受到画家 Piet Mondrian 大力提倡的现代性诗学； 这是一项具有建设性的研究，以事物的本质、三原色的和谐等效以及直角的独特使用为导向。
Rietveld 致力于制作这款高靠背扶手椅的第一个原型，透过单色面板和块体的交织运用，表达空间组织的理念。
BLACK
BLACK
