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Sengu Sofa

DESIGN BY Patricia Urquiola, 2020

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COMFORT AT FIRST SIGHT

A generously proportioned sectional sofa whose uncomplicated shapes conspire to reclaim light-hearted cozy moments, while its open lines invite conversation.

FABRIC

LEATHER

DESIGN BY

Patricia Urquiola

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556_sengusofa.pdf
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543 KB
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application/pdf
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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PRODUCTION YEAR

2020

This sofa’s uncomplicated shapes conspire to reclaim light-hearted sociability while its open lines facilitate conversation. Taking inspiration from the Far East – a recurring theme in the Cassina collections and often expressed in the work of Charlotte Perriand – the Sengu Sofa features different, unconventional arrangements, bound by shared features like natural materials and colors, enhanced by a series of new modules, corner and end elements, and by an ottoman available with or without low table. The structure is a steel frame with webbing, elegantly finished with two wood beams that evoke the Japanese influence. The ergonomics of the sofa seat are enhanced by a soft fold along the backrests and armrests and external quilting. This detail is also repeated on the backrest cushions that complete the sofa. The cushion padding is made from  100% recycled fiber, obtained from PET and mostly recovered from the oceans, thanks to a study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico university in Milan.

Patricia Urquiola

I CONTEMPORANEI

Patricia Urquiola

“A gentle design, but at the same time generous, that can be declined in modular compositions, never orthogonal, like an embrace”.