01 Hero 312 willow 1 sedie e poltroncine@4

FINE JOINERY

A masterful modern armchair. An expert re-edition by Cassina starting with the model the Scottish architect donated in 1904 to the “Willow Tea Room” in his native city, Glasgow.

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SHIPPING: Orders with standard shipping will be shipped via express delivery (DHL) in 5-8 business days, excluding weekends and holidays. The Premium Delivery shipping option ensures your furniture is delivered directly to your home, with careful unpacking and complete removal of all packaging materials. If your order includes Made to Order items or products that are not immediately available, delivery times may extend up to approximately 12 weeks for production. Estimated delivery details will be visible in your cart. In case of any changes, our customer service will promptly send a dedicated update.

RETURNS: Cassina S.p.a. will reimburse the customer the total amount already paid (exclusive of ANY shipping costs), within 14 days of receipt of the notice of withdrawal.

GALLERY

DESIGNER

PRODUCTION YEAR

1973

This throne-like armchair is a new iteration of the model that CRM donated, in 1904, to the “Willow Tea Rooms” in Glasgow, his native city. The tall semi- circular back served to separate the entrance area from the tea-room behind it. The back encompasses the seat, illustrating to perfection Mackintosh’s geometric and Art Nouveau style. For Cassina, creating this chair meant marrying advanced technology and the company’s premier carpentry skills. The latter can be seen in the precision needed to assemble the components that make up the elegant, light-weight latticed frame.

I Maestri

Charles Rennie Mackintosh was born in Glasgow in 1868 and died in London on 10th December 1928. His personality is one of those that characterize the period immediately preceding the Modern Movement.s name is mainly connected with the design for the Glasgow School of Art: he was the animator and most authoritative exponent of the group known as the “Glasgow School” and he distinguished himself principally because he recovered the most authentic values of the Scottish idiom and of neo-Gothic taste.