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Le Corbusier, Charlotte Perriand and Pierre Jeanneret exhibited the first version of this historic design table in 1929 at the Salon d’Automne in Paris as part of the “l’Equipement Intérieur d’une Habitation” stand.

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SHIPPING: Orders with standard shipping will be shipped via express delivery (DHL) in 5-8 business days, excluding weekends and holidays. The Premium Delivery shipping option ensures your furniture is delivered directly to your home, with careful unpacking and complete removal of all packaging materials. If your order includes Made to Order items or products that are not immediately available, delivery times may extend up to approximately 12 weeks for production. Estimated delivery details will be visible in your cart. In case of any changes, our customer service will promptly send a dedicated update.

RETURNS: Cassina S.p.a. will reimburse the customer the total amount already paid (exclusive of ANY shipping costs), within 14 days of receipt of the notice of withdrawal.

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PRODUCTION YEAR

1985

Le Corbusier, Charlotte Perriand and Pierre Jeanneret exhibited the first version of this table in 1929 at the Salon d’Automne [Autumn Salon] in Paris as part of the “Équipement Intérieur d’une Habitation” [Interior Home Furnishings] stand. The table, in its original size, which was originally presented as a writing desk, was revisited by Perriand in 1984, and relaunched by Cassina one year later, offering new features to keep pace with contemporary needs. The minimalist design of the frame is revealed in the uniqueness of the chrome finish on the tubular steel uprights and the coloured lacquer finish on the crosspieces. The series includes tables and low tables, in square and rectangular formats, with top in clear, textured or tinted thermoformed glass and painted trim in the various shades of the Le Corbusier colour palette.

Le Corbusier Pierre Jeanneret Charlotte Perriand

I Maestri

In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship. In October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design.

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The minimalist design of the support structure demonstrates its uniqueness in the chrome plating of the tubular steel uprights and in the colored lacquer on the laminated crosspieces. The series also includes square or rectangular side tables with top in glass, textured or tinted thermoformed glass and and painted in numerous colors from the Le Corbusier palette, as well as the outdoor version for exterior use.