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I Contemporanei
是一位个性复杂,具有自由、本能创意,擅长采用各类艺术技能的艺术家。在1932年搬迁至巴黎后,他直接接触到了所有超现实主义大师,比如阿尔普、贾科梅蒂、布列塔尼、曼雷、杜尚和马克斯·恩斯特,并与之产生了情感。虽然Oppenheim有着自己的独立性,但超现实主义运动无疑对其创作产生了重大影响。
标志性的Traccia 设计师茶几诞生于从几何与幻想的相互作用,这是瑞士艺术家 Meret Oppenheim于 1939 年设计的作品,因其明显的外观而将其命名为“鸟腿桌”。
1971 年,Dino Gavina 推出了“功能性艺术作品”,开创了一种新的家具概念,让超现实主义物品适应日常使用。Ultramobile 系列由此诞生,包括标志性金叶或银叶茶几。
1939
In 1971, Dino Gavino launched what he called “l’opera d’arte funzionale”, or functional artworks, in so doing inaugurating a new approach of furnishing where surreal objects were adapted for everyday use. This led to the creation of the Ultramobile collection. These pieces, that went beyond (ultra) furniture (mobile) engaged the imagination, complementing rational intelligence with a sense of wonder, where geometry interacted with fantasy. One of these pieces was the low table that the Swiss artist Meret Oppenheim designed in 1929 for Leo Castelli’s avant-garde gallery, dubbing it the “Bird Leg Table”, for fairly obvious reasons. The slim-line legs, and the taloned feet in polished cast bronze pay homage to the claw-foot furniture of the past. In the 1970s, the Simon International company produced a limited edition in a smaller size. This has now been re-released by Cassina, fully respecting the original design.
I Contemporanei
是一位个性复杂,具有自由、本能创意,擅长采用各类艺术技能的艺术家。在1932年搬迁至巴黎后,他直接接触到了所有超现实主义大师,比如阿尔普、贾科梅蒂、布列塔尼、曼雷、杜尚和马克斯·恩斯特,并与之产生了情感。虽然Oppenheim有着自己的独立性,但超现实主义运动无疑对其创作产生了重大影响。
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