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I Maestri
是建筑、家具、工业设计、博物馆装备生产领域内理性主义思想发展的主要角色之一。1929年毕业于米兰理工大学建筑专业,随后与Ponti e Lancia工作室合作。作为其思想发展的关键,他还合作编撰了《Casabella》杂志,这使得他最终皈依理性主义,并且成为了该思想在意大利文化届的代言人。
由单个钢底座支撑的两个梯形桌面产生的视觉效果,使得 Franco Albini 设计的这款桌子-办公桌与众不同,是一件触觉和视觉十分精致的家具。
2015
This table/writing desk, designed by Franco Albini consists of two trapezoidal planes, one smaller than the other, on a single steel support. This balancing act is characterised by the material richness of the planes, which are available in three types of wood, and natural cement, their shape being delineated by a frame. In each version of this piece, one plane is thicker than the other, the higher of the two available with a leather top. This accentuates the tactile and visual qualities of the piece. While the single- leg support might suggest a lack of balance, equilibrium is established using the principle of the Roman balance (stradera, in Italian), a form of weighing scale consisting of a beam with two arms of different lengths, and a counterweight that can be displaced along the graduated, longer arm.
I Maestri
是建筑、家具、工业设计、博物馆装备生产领域内理性主义思想发展的主要角色之一。1929年毕业于米兰理工大学建筑专业,随后与Ponti e Lancia工作室合作。作为其思想发展的关键,他还合作编撰了《Casabella》杂志,这使得他最终皈依理性主义,并且成为了该思想在意大利文化届的代言人。
单腿结构为时尚的设计赋予了一种明显不稳定的效果,在桌面恰到好处的差异,教人想起天平的形状,而不同的厚度界定了框架,突出了外部线条。
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