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I Contemporanei
在1922年,Le Corbusier开启了在巴黎塞弗尔街新工作室的新职业生涯,他和表兄Pierre Jeanneret共享了贯穿一生的深邃、持久设计所具备的研究和标准。1927年10月,他们决定好好利用当时建筑界一位年轻艺术家的才华:Charlotte Perriand。他们的合作一直延续到1937年,在家具创作方面取得了尤为丰富的硕果。
这款设计扶手椅形式简约和材料简洁,体现出了欧洲现代主义理想和印度传统精神的平衡。
Cassina continues its study of the furniture of the city of Chandigarh and adds the Kanga-roo low armchair to the Hommage à Pierre Jeanneret Collection; a collection that stands out for its essential forms and simple materials, a balance between modern European ide-als and traditional Indian spirit. This low chair, made for the city’s General Hospital Hall but also present in many private houses, is characterised by the "Z" shape of its sides, made up of a sequence of three vaguely triangular coplanar elements placed in continuity. The seat and backrest feature typical weaving inside the wooden frame, for which, in addition to the historic teak version, the Cassina Research and Development Centre offers two fur-ther variants, in natural oak and stained black oak, produced in the company’s historic car-pentry workshop. An optional cushion is available for added protection and comfort.
I Contemporanei
在1922年,Le Corbusier开启了在巴黎塞弗尔街新工作室的新职业生涯,他和表兄Pierre Jeanneret共享了贯穿一生的深邃、持久设计所具备的研究和标准。1927年10月,他们决定好好利用当时建筑界一位年轻艺术家的才华:Charlotte Perriand。他们的合作一直延续到1937年,在家具创作方面取得了尤为丰富的硕果。
镶嵌在木框架内的柳条座位和背部是印度传统的特征元素,柚木的使用则表示Cassina在经典款上进行了重新开发。
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