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I Maestri
Charlotte Perriand堪称一位文化先锋,自二十世纪前几十年起就推动了美学价值观的深层次翻新,造就了日常生活的适当现代感。在此背景下,他的具体贡献主要体现在内饰建筑空间,后者被视为全新居住方式的内核,至今依然是当代生活风尚的中心。在二十世纪的家具历史中,这位室内建筑革新者凭借其大胆创新的精神促进了现代风格的来临。
这款隽永的设计师椅子由 Charlotte Perriand 于 1943 年设计,把她的“Fauteuil tournant”金属管现代椅子转换成木制版本。
2014
This swivel armchair is a re-working of the Fauteuil tournant, whose frame was in tubular metal, and was the work of Charlotte Perriand in 1927. It was later exhibited along with other furniture that Perriand co-designed with Le Corbusier and Pierre Jeanneret for the 1929 Salon d’Automne in Paris. The original design was executed in Vietnam in 1943, using the materials and crafts techniques available during that war-time period. The first model had three legs, with a fourth added later. This piece reflects the designer’s flexible and resourceful approach: she often adapted her designs according to the availability of materials and where production was to take place. Cassina has re-issued Indochine in the full respect of the original design, interpreting it, and incorporating a solid wood base that highlights the excellence of the company craftsmen’s wood-working skills.
I Maestri
Charlotte Perriand堪称一位文化先锋,自二十世纪前几十年起就推动了美学价值观的深层次翻新,造就了日常生活的适当现代感。在此背景下,他的具体贡献主要体现在内饰建筑空间,后者被视为全新居住方式的内核,至今依然是当代生活风尚的中心。在二十世纪的家具历史中,这位室内建筑革新者凭借其大胆创新的精神促进了现代风格的来临。
该模型是在越南设计的,使用了战争期间可用的材料和工匠技术。“有什么比触摸抛光杉木面板更甜美的呢?就像女人的腿一样甜美。”Charlotte Perriand 强调说,她经常根据可用的材料和生产地点调整设计。
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