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I Maestri
Gerrit Thomas Rietveld于1888年6月24日出生于乌特勒支,他似乎具备双重人格,以至于他的作品似乎不源自同一位艺术家。他首先是具有原始风格的手工木匠,凭借完全个人的结构密码,打造出前无古人的座椅和家具;其次他是一位风格优雅的建筑师,在欧洲建筑背景下倡导理性主义、新造型主义论点。两项事业相互交错、重叠并完美结合,构成了一种逻辑顺序。
这款自助餐餐具柜充满魅力,令人一见难忘,与 G. T. Rietveld 的 Red and Blue 扶手椅共同代表了新塑造主义的空间性精髓,也是现代主义设计的主要标杆。
2019
Represents, with the Red and Blue, the essence of the new spatial concept of neoplasticism. A key benchmark in the establishment of the Modern style, this sideboard, designed in 1919, was originally used in the model home designed by J․P Oud for Spargen, Rotterdam, and in various interior design projects, including the project for P․J Elling. The original model was destroyed in a fire and was only rebuilt under the supervision of the designer in 1951 for an exhibition at the Stedelijk Museum in Amsterdam. Today, Cassina produces this storage unit for the first time in its historic carpentry in Meda, in collaboration with the designer’s heirs. The pure lines of the structure create a grid based on a structural core to which surfaces, drawers and storage units are added. The model is influenced by F․L․ Wright and the Anglo- Japanese art of E․W․ Godwin, particularly as regards the accentuated horizontal surfaces, which are offset by the vertical supports which form a grid from which the storage compartments are hung. The supporting grid, virtually continuous, has contrasting sections of slats that exalt their dynamism towards the exterior.
I Maestri
Gerrit Thomas Rietveld于1888年6月24日出生于乌特勒支,他似乎具备双重人格,以至于他的作品似乎不源自同一位艺术家。他首先是具有原始风格的手工木匠,凭借完全个人的结构密码,打造出前无古人的座椅和家具;其次他是一位风格优雅的建筑师,在欧洲建筑背景下倡导理性主义、新造型主义论点。两项事业相互交错、重叠并完美结合,构成了一种逻辑顺序。
这款储物柜制造于 1919 年,最初用于由建筑师 J.P Oud 为鹿特丹的 Spargen 策划的 model housing 项目。最早的型号毁于一场大火,并于 1951 年在作者的监督下重新制作。
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