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Radio in Cristallo

DESIGN BY Franco Albini, 1940

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THE ESSENCE OF AIRY LIGHTNESS

A radio at the forefront of modern Italian design, developed from a canny intuition to put the electrical components in plain view, thereby exposing the public to the technology, demonstrating how it works.

DESIGN BY

Franco Albini

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scheda-prodotto-842-radio-in-cristallo.pdf
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318 KB
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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842 Radio In cristallo dimensioni

PRODUCTION YEAR

1938/2021

Radio in Cristallo goes straight to the heart of the project that Franco Albini created as a prototype-model in 1938 for his home. He took apart and reassembled a radio in a wood cabinet received as a wedding gift, exposing the electric components by pressing them between two sheets of tempered glass. A tribute to lightness, a step that catapults the designer in the direction of bold modernity that, by demonstrating progress, narrates its value. In concert with Fondazione Franco Albini, Cassina has optimized the design the architect entered into a competition by the Swiss company Wohnbedarf in 1940, keeping the same size while adding new Bluetooth technology and an optional subwoofer that, connected to Wi-Fi, creates a more enveloping atmosphere. Radio in Cristallo will also be offered in a special limited edition of only five pieces. The Radio in Cristallo L.E., with a numbered metal plate on the side of the structure, will feature white knobs and an electronic circuit board with all hand-soldered circuits.

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I MAESTRI

Franco Albini

He was a major figure in the Rationalist Movement, excelling in architectural, furniture, industrial and museum design. After receiving a degree in architecture from the Politecnico di Milano in 1929, he worked with the Ponti and Lancia design studios.is work for the magazine Casabella also played a key part in his development, marking his conversion to the Rationalist Movement and his becoming its spokesman on the Italian cultural scene.

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